A Japanese-Korean working with installation, performance and composition, residing in Huddersfield, UK.
Her works apply domestic appliances and look-like-wastes into kinetic sounding contraptions with gadget electronics and invisible energy such as heat, magnetism and gravity. Her works are site-specific and consider both aural / visual values as one entity, creating ephemeral situations that magnify undefinable relationships between noise and silence, time and space.
Her recent work focused on Korean heritage and its diaspora social-political narrative, researching and sharing lost/hidden histories and complexity of Asian immigration communities. She has produced 2 long-term programme, un(an)kN-O-wn and cultural fluidity, delivering series of concerts, workshops, discussions, publications and exhibitions between 2023-2025.
She improvises, and composes / performs alternative scores in collaboration with other artists and musicians worldwide. She is a member of the lappetites, electronic musician collective since 2000 and a member of the 9-piece band a.hop.
She is an artistic director for ame c.i.c., supporting DIY culture and underground art/music scene. She also co-runs the independent publisher mumei publishing.
Selected installations include: in.visible (The Art House, 2023, UK), divulgence (Donaueschinger Musiktage, 2023, Germany), not a matter but it really matters (Lo Pati, 2022, Spain), inefficient ways to comprehend the matter (Exhoraum, 2022, Austria), the way they are (Yorkshire Sculpture Park, 2019, UK), composition of happiness (Spanien19C, 2019, Denmark), kosetsu (Stedelijk Museum, 2019, Amsterdam), ploughs and harrows (Konfrontation Festival, 2018, Austria), listening with the city (Internationales Musikinstitut Darmstadt, 2018, Germany), odds and ends (Bunkier Sztuki Gallery, 2018, Poland), loiner or (Industrial Museum of Leeds, 2018, UK), Object Migration (Avant Art Festival + Sanatorium Dź wię ku, 2017, Poland) and 1→ 5 (Uppsala Art Museum, 2016, Sweden).
recent podcasts appearance
some photos
credit:Stephen Harvey (2018)
credit: FILMLOVE (2018)

